davinci resolve media offline after cinemadng import

The reason I am asking is because, when late last year, nVidia came out with their new 'lifelike face rendering' (aka 'Digital Ira'), the biggest improvement was how they accounted for the light hitting a human's various skin layers. work on the whole of or on parts of shots but could one actually redesign the physical lighting in post? Could one simulate, as an example, moonlight or 'sun through the window' effect in post with all the appropriate physical properties, including the multiple reflections/bounces that would be taking place under the real conditions? Just curious (and trying to get a few last questions in before this site goes all-pro) - to those who know the post-production software inside and out - are there are programs that will simulate the lighting options? In other words, the color/color balance, temperature, contrast, brightness, etc. RAWs bypasses the need to convert using Raw2dng or RAWMagic, which is hugely convenient. That said, Ginger HDR's support of Magic Lantern. It sacrifices some flexibility - it cannot natively use Abobe Camera RAW to decode CDNG, and therefore relies on its own debayering algorithm and white balance controls. Ginger HDR may present the most direct solution for Magic Lantern RAW and/or CDNG editing in general at this point. Of course, there are work-arounds (as there always are), and a number of solutions to get the job done.

Ever since Adobe sort of, well - marooned their CinemaDNG format on an island of orphaned support, the question of CDNG's place in the Adobe ecosystem has existed. Ginger HDR isn't a new plugin, but it's worth posting about here for those who haven't heard of it yet - I'm pretty late to the party myself. One user has also devised a work-around for developing CDNG with the powerful Adobe Camera RAW interface, after native Premiere editing.

RAW files directly, in Adobe Premiere Pro and After Effects. The plugin allows native editing of CinemaDNG, and now, even ML. But what if your computer can handle the media, and you're sick of waiting through long post processes for CDNG? Ginger HDR may be the solution for you. Such a post production process allows less fortunate folks (such as myself) to work with footage like Blackmagic Camera CinemaDNG and Magic Lantern RAW on hard-pressed machines. I've been talking a lot about offline/online workflows lately - how they have, in principle, been used for ages, and still play today, tape or no tape.

Davinci resolve media offline after cinemadng import